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CABANE, a project of anne collod and mathias poisson.
how to put forward an experience of a bonded group and a moving structure, a reconfiguration, and to present a shifting group in it’s structural dimensions, imaginary and social?
how to present a site through the presence and displacement of a half-human, half-plastic, passing and changing hybrid form?
how to create a space of intimacy and inwardness in an open space that’s permeable and can be shared out?
at the base of these reflections i’ve participated to the following proposition: the construction of cabins and choreographies according to partitions.
it is at the same time an experimentation of different objects and materials conserving the link between the place and the whole group.
creating living and moving cabins, permanent reconfigurations that interact with the surroundings.
it is also creating “structures”, a network of connections, lines and marks.
a symbolic dimension penetrates into the functional dimension of the cabin.
quoting roland barthes, being a cabin means being the body and the world at the same time, a space of peaceful inwardness. the luxury of the cabin comes from it’s freedom: it is a subtracted structure of all the convention and force.
how to put forward an experience of a bonded group and a moving structure, a reconfiguration, and to present a shifting group in it’s structural dimensions, imaginary and social?
how to present a site through the presence and displacement of a half-human, half-plastic, passing and changing hybrid form?
how to create a space of intimacy and inwardness in an open space that’s permeable and can be shared out?
at the base of these reflections i’ve participated to the following proposition: the construction of cabins and choreographies according to partitions.
it is at the same time an experimentation of different objects and materials conserving the link between the place and the whole group.
creating living and moving cabins, permanent reconfigurations that interact with the surroundings.
it is also creating “structures”, a network of connections, lines and marks.
a symbolic dimension penetrates into the functional dimension of the cabin.
quoting roland barthes, being a cabin means being the body and the world at the same time, a space of peaceful inwardness. the luxury of the cabin comes from it’s freedom: it is a subtracted structure of all the convention and force.
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